a platform for unravelling tensions within & between fundamental forces
Micro Audio Waves are a Portuguese band. Micro Audio Waves, originally a duo formed by Flak (the guitar player from Rádio Macau) and C. Morgado (electronic instruments) and Claudia Efe (vocals). This video clip was produced for the music of Al Pacino. It was a project developedby Vitor Santana (Hortela magenta Partner’s), Cristóvão Romeu and Bruno Guerreiro
Continue Readingikonoklash project video project Lagos Portugal
Release of exhibition Ikonoklash Project 01, Artists present the in the exhibition: Ivan Franco & Kathy Hinde Joanna Callaghan Johan Grimonprez Jorge La Ferla Luís Alegre Mark Lewis Matthias Müller & Christoph Girardet Miguel Soares Patricia Bentancur Paula Roush Rui Toscano Rui Valério Tracey Moffatt, with concert of Micro Audio Waves, Centro Cultural de Lagos, Lagos, Algarve, Portugal. The exhibition will be running from the 05 Jun to the 01 Ago / Aug 2010 Tuesday to Sunday | 13h00 – 24h00
Continue ReadingGertrud Sandqvist professor at Malmo Art Academy, curator and art critic talks with the Ikonoklash team in 28:27 about the new challenges technology brings to the re-definition of the present iconographies. In a particular rich talk she talks about the evolution from the religious icons to the computer icons. She reflects how web and technology changes / are changing society, education, art and thinking and creates new concepts, or adaptation and new relations for the story telling.
Continue Reading“ 4 You shall not make for yourself an idol in the form of anything in heaven above or on the earth beneath or in the waters below. 5 You shall not bow down to them or worship them”; Bible, Old Testament, Exodus 20:4-6 (New International Version)
“Iconoclasm[2] is the deliberate destruction within a culture of the culture’s own religious icons and other symbols or monuments, usually for religious or political motives. It is a frequent component of major domestic political or religious changes. It is thus generally distinguished from the destruction by one culture of the images of another, for example by the Spanish in their American conquests. The term does not generally encompass the specific destruction of images of a ruler after his death or overthrow (damnatio memoriae), for example Akhenaten in Ancient Egypt. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be applied figuratively to any person who breaks or disdains established dogmata or conventions.
Conversely, people who revere or venerate religious images are called iconolaters. In a Byzantine context they are known as iconodules, or iconophiles. Iconoclasm may be carried out by people of a different religion, but is often the result of sectarian disputes between factions of the same religion. The two Byzantine outbreaks during the 8th and 9th centuries were unusual in that the use of images was the main issue in the dispute, rather than a by-product of wider concerns. In Christianity, iconoclasm has generally been motivated by a literal interpretation of the Ten Commandments, which forbid the making and worshipping of “graven images” per se.” http://en.wikipedia.org/wiki/Iconoclasm
algarve art critic art education centro cultural de lagos Christoph Girardet curator education exhibition experimental Gertrud Sandqvist iconographies icons ikonklash concept ikonoklash Interview Ivan Franco Joanna Callaghan Johan Grimonprez Jorge La Ferla Kathy Hinde lagos Luís Alegre Malmo Art Academy Mark Lewis Matthias Müller Micro Audio Waves Miguel Soares music Patricia Bentancur Paula Roush pop portugal Rui Toscano Rui Valério society sound spot technology Tracey Moffatt video videoclip whatisikonoklash
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